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Salvador Dali, Birth of Liquid Dreams

Peggy Guggenheim Collection, Venice
1931–32
Oil and collage on canvas
37 7/8 × 44 1/4 inches (96.1 × 112.3 cm)

In the year 2012 I travelled to Italy, Venice on a cultural trip with my college. When in the Peggy Guggenheim museum I came across this magnificent piece by Salvador Dali. Dali’s work has always been a challenge to write about as it shows a great deal of unique imagination and how his thoughts and dreams are betrayed to the world. These paintings have a theatrical theme to them, as they are composed like a performance. Just like the following art piece “Birth Of Liquid Dreams”. A lot of Dali’s inspirations come from landscapes. This evidenced greatly in the following piece. The odd, large golden shaped object is his interpretation of the rocks he once saw in Costa Brava in Spain where he lived all his life. There was something about the rocks that had an abstract feel to them and Dali brought his own unique interpretation of these in his paintings. The way this is composed I immediately see it as an illusion. In the centre of the piece where there is a gap in the rock and a floating piece of bread, I can see it being eyes. The figures also create a nose and mouth whilst the floating black rock looks to be a tilted French hat. Not only does Dali paint from his imagination and dreams but he also dreams from memories and hidden thoughts. I have come across a rather interesting meaning behind this and that is in fact based on Dali’s sexual sensibilities. When studying this I begin to understand the point that’s been put across. The holes in the rock, including the one with a nude male standing beneath, are supposedly symbols of female private parts and the suggestion of penetration. Also, I see the nude man standing beneath the hole in the rock as an entrance to the female body. The couple in the centre also look romantically intimate as their bodies are pressed up close to one another. The lady looks to be elegant and divine. Her appearance is puzzled that then makes the body the main attraction.
On the right, a woman’s hides her face in humiliation or disgust as she hides her face whilst pouring water into the basin onto the man’s foot. This could refer to signs of disgust or jealousy. There are also chest of drawers in the top right which makes me think that there is some sort of meaning behind them which I have yet to seek out. I feel this simply because I have repeatedly seen the same object appear in other artworks of his such as “The City of Drawers”.
I see a great deal of movement with a range of deep and bright colours bouncing off each other. I feel these colours are important as they show a mixture of emotions.

This painting could inspire me greatly in the future as Dali has put his deep thoughts and emotions into it meaning his mind has become his artwork. There is also a lot going on in just one painting which I find to be a great challenge to question upon. 
The following painting is in fact a challenging piece. I truly love the human body and painting it but I find the hands the most challenging part. The idea was to paint something taken from my own insecurities. I tend to paint through my emotions as I feel I have a bigger connection. Through painting upon my insecurities I am changing a negative into a positive.There for I have immediately made something I have hatred towards into love as it becomes part of my art. In this matter, my insecurities are my teeth. I have composed this by holding a large tooth in the palm of my hands whilst being held under water. Being held under water represents the meaning of freedom. This shows I have now become comfortable and it also indicates that my teeth are more something that are precious to me.

Penny Treetops


Jack Davison Pastiche



Uni Summer Project. Fresh new beginnings.

1. Firstly you must make two postcard size (A5) pieces or work.
These can be in any medium, drawn, painted, photographed, cut, printed, written etc. We want you to make one that reflects your interests and ways of working and one that is a pastiche of an artist you admire or admire or are inspired by (this may relate to the second task). All the works will be presented as a 'wall of inspiration' as part of the induction week.

2. Secondly you must identify either a work by an individual artist or group of artists in an exhibition and write a review.
This needs to be up to 500 words. Think about what interests you about their art and in what way it might inform your own work. This will need to be given to your tutorial group tutor during induction week.
As an optional extra you may wish to extend this by beginning an Art Blog that you can continue to maintain throughout your time at university. If you choose to do this please email the link to your blog to me (dfitzjohn@cardiffmet.ac.uk) before the first day of induction Week. If you do this you will not need to present a printed version to your tutor.

3. Thirdly you must make two artworks that will introduce you to your tutorial group.
These works should represent your interest. They can be presented in any medium. They may be two or three dimensional, in the form of paintings, sculpture, film, photography, performance, happening etc. You choose!

4. Finally you need to begin to keep sketchbooks. (Many of you probably already do this). 
A sketchbook should be something like a diary composed of drawings and images made in any medium - they could be depictions of things seen or imagined, ideas, scribbled notes, monochrome images, coloured images, collaged images, photographs. It is a personal memoir explained in visual terms. it's worth remembering that all the staff and students at CSAD value sketchbooks very highly.

The work produced by all four of these tasks will be used and critiqued as part of your induction week Tuesday 17th September Friday 20th September 2013.

Street of Crocodiles

Video link -
http://vimeo.com/20715637

A surreal short film, Stop motion
Bruno Schulz
Directed by The Brothers Quay (1986)